Iceland Aurora Photographic » depth of field

Night Photography 2 – overcoming the darkness

Tony — Fri, 27 Nov 2009 05:20:30 +0000

So you have the night photography bug. You sit twiddling your thumbs in the daylight hours waiting for the light to fade so that you can go out and leave your camera perfectly still with its shutter open for many tens of minutes. You are not alone!!

Photography techniques – Hyperfocal distance

Tony — Tue, 27 Oct 2009 10:13:47 +0000

Hyperfocal distance is the art in photography of achieving as much sharpness as possible throughout the image. In other words, it involves careful focusing adjustments to ensure that objects close to the camera and objects in the distance all have the same sharp focus, but more accurately, the hyperfocal distance is that point of focus where things are in focus from a point half way between you and the focal point all the way onward to infinity. Hyper-focal distance is more of a landscape photographer’s concept. When shooting landscapes, I never use auto-focus.

Photography techniques – focus stacking

Tony — Mon, 31 Aug 2009 13:21:30 +0000

This articles looks at a lengthy and complicated procedure to render every part of a scene with perfect focus. the aim is to achieve a high depth of field (DOF) whilst maintaining the high quality of your lens’ sweet-spot. The main challenge is, maybe, deciding what situations exactly would require this sort of treatment. This technique is popular for macro work, where the DOF is usually too shallow to capture all the sharp detail in a subject. Landscape could benefit as there is a requirement for sharpness throughout the scene. Usually an f/16 and careful hyper-focal calculations will achieve this. For my first attempt, I chose a landscape scene with a huge focal challenge. In this scene the immediate foreground is just a few inches from the front of the lens.

Composition – following and breaking the rules

Tony — Wed, 19 Aug 2009 10:05:07 +0000

The rules of composition are guidelines for producing a well designed image. ‘Guidelines’ are probably a better description than ‘rules’ as they just help us as a kind of starting point. Do not break the rules until you are an expert at following them. You need to understand how they work and how they help you create great compositions. Learn the rules and then break them only if it will create a better image than if you followed them.